Wood-carving in Saharanpur, Panjab
I received the grant when I was pursuing my MA at the National Museum Institute, New Delhi. It gave me an opportunity to have first hand experience of working in the field. I interacted with local artisans and got a deeper understanding of various aspects involved in woodcarving. I have no doubt in claiming that this was one of the first pieces of work ever to have been done on this art. Without the grant I don't think I could have done such a work, and the award has played a significant role in shaping my career.
Pointing Method of Stone Carving in Jaipur, Rajasthan
The grant helped me to work on this subject - a project that I had dreamt of doing but could not take forward because of monetary problems. It helped me to come to know about a traditional method of carving which is almost dying out. It has both helped my creative work as a sculptor and given me knowledge that I can pass on to my students so that they can use it in their work. I have also discussed the procedures with colleagues who work on portraiture.
The Female form in Ancient Indian terracotta art
To study arms and weaponry of the Palaeolithic period and rock painting of Central India with special reference to Dhongarh, Madhya Pradesh
To study the masking traditions in tribal India
To study the depiction of Hindu mythological themes and scenes in Mughal miniatures
To study painted ivory collections in Indian museums
Aqueous and non-Acqueous methods of de-acidification and its effects on Indian paper
Illustrated manuscripts of Akbar's court