From the very beginning I was planning to gain a knowledge of the layers of Mithila painting, especially its relationship with other practices of folk-art. I was, and still am, of the opinion that Mighila painting is a living tradition which is supported by many other folk practices of the region. Its history, myths, usefulness, sociology, social significance, ritual normative patterns, hidden philosophy and last, but not least, the creativity of the women who paint, are very important factors to know.
