Recipients

B Sekhar

Video documentation of museum objects in Tamil Nadu

The project bult on my earlier award from the NTICVA and focused on the Nayak temples in Tamil Nadu. This in turn led to a major research project funded by the University Grants Commission.

Srinivas Suwada

Local gods and popular culture: a study of mother goddess worship in an urban setting

I was awarded this grant while pursuing doctoral research, and will submit my dissertation in summer 2001. The grant allowed me to travel to fieldsites, to undertake photography, and to cover other costs of fieldwork and report preparation and to achieve more ambitious documentation of craft and folk traditions than I would otherwise have achieved. It also made me self-confident, and strengthened and boosted my morale. I am planning to publish articles in academic journals and have lectured to American students on these topics.

Rakesh Dattatraya Dhawade

Research, study and display of historical arms and armour of Saurashtra, Gujarat, and Rajputana

The grant assisted with documentation of conservation and display techniques for arms and armour in the UK and was held in conjunction with a UK Travel Award.

Deepra Abhijit Dandekar

Study of the Pithora paintings by the Rathwas of Chhota Nagpur

I had been wanting to work on the Pithora paintings made by the Rathwas as a part of their religious traditions. The award enabled me to supplement library work with empirical fieldwork. This enabled me to develop a perspective on the social and religious belief patterns of the community. It will also help me in conducting further comparative research.

Chandrahasa Bhat

An internship to study the latest techniques relating to the conservation of paintings at the Hamilton Kerr Institute, Cambridge University.

My internship in the paper conservation department at the Hamilton Kerr Institute at the University of Cambridge was really interesting and exciting. It is not an exaggeration if I sawy it is a well equipped conservation studio with highly experienced conservators. My aim was to learn some advanced techniques implemented in conservation, mainly on Indian miniature paintings and western paintings on paper. I was looking for various techniques on consolidation, lining of paper paintings, relaxing of cockled and wrinkled paintings, filling of missing areas and mounting techniques.

Dr Maruti Nandan Tiwari

Study of Jaina sculptures and paintings in UK Museums

Several new ideas and materials which emerged through the research in the UK collections helped me in my future researches. The award widened my knowledge and mental horizons.

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